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I have been watching plenty of tutorial videos on creating sounds and instruments for electronic music, but I could not find anything about what to focus on if you want to create a talking sound/instrument that you can often find in Dubstep. I didn't find any theoretical hints either.

My question is:

Are there any specific filters or other important settings or effects you need to use/should use to create such sounds?

All I have done so far is copying from tutorials, but I want to create own sounds. However, I can't quite figure out how, even though I've been trying to do so.

I don't know if it is that important, but I am using ZynAddSubFX (LMMS) or the VST plug-in Synth1.

migrated from music.stackexchange.com Mar 6 '17 at 21:06

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  • Have you tried looking up analog synths and their simulators? If you learn how to make oohs and other vowel sounds you might be able to do what you want. I'm not sure what you mean by talking sounds but I'm guessing that you don't just mean "how to apply filters to recordings of voices." – xerotolerant Mar 6 '17 at 19:15
  • This isn't really on topic here, but is on Sound Design so I'll migrate it there. – Rory Alsop Mar 6 '17 at 21:06
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I have done lots of investigating in this case. And there are different approaches to making a talking sounding dubstep bassline. I like to think of them as monster sounding.

One common sound, that is not very impressive imo, is one that was first made popular in Skrillex Cinema.

This is done with a saw wave with a low pass filter with a cutoff set very low, with a very high resonance setting. Then apply apply a bit reduction effect. Skrillex and everyone else use Ableton's redux.

Then there are more general talking sounding synths. I can explain to you how I created the one I use in this track and this track (with lessened effect) In these tracks I did not aim to make it exceptionally pronounced, but you certainly can with this approach.

I like to call it the duelling band-pass filter approach. And depending how wet you want to apply it to the track, can very much give talking properties to it.

Basically you want to apply two band pass filters to your synth track. One with a cutoff in the lower frequencies. The other with a cutoff in the upper frequncies. You want them to independently modify the synth and have their outputs mixed. So if you use Ableton you would have them both in an effect rack in separate chains. I don't know how you achieve this in other DAW, but you don't want them running in series (eg the second bandpass is working on the first bandpass' output. Rather you want the both working in parallel, each getting the clean synth input, and then mixing their output.

Then you have to modulate the cutoff point of the duelling bandpass filters in opposite directions. You could do this with track automation, or you could map each cutoff to a single knob on a midi controller. Then edit the mapping to invert the direction and modify the range of the parameter.

Change the cutoff point of the low filter so at the start it is around 100hz and at the end position it is around 600hz. Then with the other high bandpass filter, at the start position you want the filter to be at like 15khz and at the end position you would want it to be at around 2khz.

Does this make any sense? The bandpass filters move in unison, across different frequency ranges, in opposites directions. So when the low band pass is low, the high band pass is high, as the lower bandpass moves from low -> upwards, then high bandpass moves from high -> downwards.

Then you can vary the pitch as you manipulate these two filters with great effect.

  • Thanks for this answer! Nice tracks, they sound good! At the moment, I don't really have much time, but I will try the things you explained as soon as I find the time. – Harmless Psycho Mar 8 '17 at 17:32
  • Edit to add the DAW you are working with as well. – ScottF Mar 8 '17 at 17:36
  • I've tried what you explained using LMMS. Are there specific instruments one should preferably use to get that 'yaii' and 'oh' etc. sounds? I've tried a simple saw instrument and got a modulating sound out of it. What wave forms should I use to get that talking sounds? Seems like you can't use any random instrument and still get the talking sound, is that right? – Harmless Psycho May 12 '17 at 14:40

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