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added 432 characters in body; added 14 characters in body
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Rene
Rene
  • 10.7k
  • 1
  • 31
  • 58

Your actor is going to be about 75% of the success of this thing. 15% will be mic placement and positioning. The rest is compression and eq.

actor -> 416 positioned pointing down at a 40 degree or so angle aimed at the sternum -> compress moderately to heavily in post (fast attack, high ratio) -> add some high end -> done.

Here's some reading over on gearslutz to get you rolling:

VO mic choices

VO mic positioning

VO compression

Your actor is going to be about 75% of the success of this thing. 15% will be mic placement and positioning. The rest is compression and eq.

actor -> 416 positioned pointing down at a 40 degree or so angle aimed at the sternum -> compress heavily in post (fast attack, high ratio) -> add some high end -> done.

Your actor is going to be about 75% of the success of this thing. 15% will be mic placement and positioning. The rest is compression and eq.

actor -> 416 positioned pointing down at a 40 degree or so angle aimed at the sternum -> compress moderately to heavily in post (fast attack, high ratio) -> add some high end -> done.

Here's some reading over on gearslutz to get you rolling:

VO mic choices

VO mic positioning

VO compression

Source Link
Rene
Rene
  • 10.7k
  • 1
  • 31
  • 58

Your actor is going to be about 75% of the success of this thing. 15% will be mic placement and positioning. The rest is compression and eq.

actor -> 416 positioned pointing down at a 40 degree or so angle aimed at the sternum -> compress heavily in post (fast attack, high ratio) -> add some high end -> done.