Timeline for Mixing with consumer headphone argument
Current License: CC BY-SA 3.0
6 events
| when toggle format | what | by | license | comment | |
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| Sep 5, 2013 at 14:12 | comment | added | Dave | You are correct, you would know it's there and yes, every system has its unique freq response. Like I mentioned, I feel that getting a pair of honest and relatable monitors and headphones will, imho, cut down on a shitload of unnecessary bouncing back and forth. I have yamaha hs50m's. They're not the world's greatest monitors, but i've found that my mixes come much closer to the final product with them than they have in the past. I also like my sony 7506 headphones. Between those two, i've had more success and less going back to the drawing board. | |
| Sep 5, 2013 at 7:36 | vote | accept | 5argon | ||
| Sep 5, 2013 at 7:29 | comment | added | 5argon | I see, even if I make an exact same song from scratch (I know that's impossible) to exactly sounds like the song I like on my consumer headphone, there would be 'unseen' frequency that I would miss on other sound system. But that is the issue with the missing frequency that my headphone can't represent. (like the very high-end/low-end) However, the colored frequency (boosted/attenuated) would be no problem right? Because I know it's there, and it's on par with studio sound so it will be there on other system too? | |
| Sep 5, 2013 at 7:22 | vote | accept | 5argon | ||
| Sep 5, 2013 at 7:29 | |||||
| Sep 5, 2013 at 7:22 | vote | accept | 5argon | ||
| Sep 5, 2013 at 7:22 | |||||
| Sep 4, 2013 at 17:40 | history | answered | Dave | CC BY-SA 3.0 |