Timeline for Is it possible to unphase something
Current License: CC BY-SA 2.5
10 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Jun 9, 2010 at 19:13 | answer | added | inigo | timeline score: 0 | |
| Jun 9, 2010 at 19:05 | comment | added | Utopia | @ianjpalmer Oh, and Yes there is quite a bit of phasiness on The Hurt Locker's dialogue - that's the beauty of it. Only something like 4 lines of the movie were ADRed, they were able to use the rest of it because the production sound mixer did such a magnificent job. | |
| Jun 9, 2010 at 19:03 | comment | added | Utopia | @ianjpalmer I getcha. I would experiment with very quick early reflection reverbs (like 30 ms to 60 ms) to kind of mask over the phase-cancelation of the tonality of his voice. That might help it. I don't think there is much you can do with something like that, unfortunately =/ | |
| Jun 9, 2010 at 18:57 | comment | added | ianjpalmer | @ryan - Really? I've not seen the film. When a slight phasing sound is the least of my worries on this show, has to be the worst location sound I've ever come across, don't even get to have any ADR sadly. As I said I'm more curious if it's possible or not as to actually fixing a problem here as no one else will probably even notice it. | |
| Jun 9, 2010 at 18:36 | comment | added | Utopia | @ianjpalmer is it that noticeable on theater speakers? Look at all of Hurt Locker's dialogue - most of it was phasey. And in the last suicide bomber scene, half of the main character's lines were distorted. Yet, it won best sound at the oscars! | |
| Jun 9, 2010 at 16:09 | answer | added | Colin Hart | timeline score: 4 | |
| Jun 9, 2010 at 15:28 | comment | added | ianjpalmer | @inigo - 1 boom and a couple of tie clips. The latter were useless as all muffled and clothes noise. | |
| Jun 9, 2010 at 14:42 | answer | added | georgi | timeline score: 1 | |
| Jun 9, 2010 at 14:09 | comment | added | inigo | How much mics were there? | |
| Jun 9, 2010 at 13:00 | history | asked | ianjpalmer | CC BY-SA 2.5 |