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Spotting to timeline with blank regions before recording/editing sfx

Hi all

Do you spot what and where to record on the timeline with fake blank regions, and then replace those blank regions while recording (if your recording foley) and with your edited sfx? Or do you just spot with markers or on the paper?

I find that spotting (and create regions as marker-place) on the timeline take more time, but in the end the results are more precise and the time spent planning is well rewarded in the end.

What do you think? What's your workflow?

Best

Davide