Timeline for What's your preferred de-esser plugin?
Current License: CC BY-SA 2.5
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| Jan 13, 2011 at 23:06 | history | edited | Utopia | CC BY-SA 2.5 |
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| Aug 9, 2010 at 21:02 | comment | added | Shaun Farley | @Ryan - Switch between the two with crossfades as needed. You leave the duplicate completely out of the mix until you need it. I learned this trick from an engineer who had to do this kind of stuff before you could program automation. It's pretty much the same thing, but I feel like it gives me just a little bit more flexibility when I need it. It's also a lot faster, because the track is already there, no switching between track views. So, it can make for a faster mix session in the right scenarios. | |
| Aug 9, 2010 at 18:45 | comment | added | Shaun Farley | there is, of course, always the alternate track method. if you're worried about the whole dialogue track getting mucked up, duplicate it and put your de-esser on the new track. then mix between the two as needed, even if it's just a frame or two. with the proper settings you can get a smooth transition without too much tonal shift, and it's a reasonable compromise between time management and getting some detailed reduction. | |
| Aug 9, 2010 at 18:24 | history | edited | Utopia | CC BY-SA 2.5 |
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| Jun 6, 2010 at 0:00 | history | edited | Utopia | CC BY-SA 2.5 |
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| May 19, 2010 at 9:35 | vote | accept | Davide Favargiotti | ||
| May 12, 2010 at 23:41 | comment | added | Davide Favargiotti | I totaly agree that manual de-essing is much better than automatic, but it's only possible when you have plenty of time, and short programm to edit. when you have to mix (like here in italy) a 90 min tv episode in just a few days, you have to find the compromise between quality and intelligibility (and avoid to work overtime and over (tight) budget). :) hope to here more about your strip-silence/detective experiment! | |
| May 12, 2010 at 23:16 | history | answered | Utopia | CC BY-SA 2.5 |