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A PRE Fader aux is sent out BEFORE the volume fader (and usually the mute)... so any volume changes made on the fader are not reflected in the send. When monitoring, this means you can have a different mix going to the Monitors then the Mains... for example VO talent might want a guide track in the headphones to help with timing, but you don't want to hear ...


+1 to Sonsey's explanation of Pre and Post-fade sends. However, I'd add that you don't ALWAYS send monitor mixes prefade, either. I have a large vocal ensemble that I mix regularly, whose monitors sends I almost always send POST-fader. Why? Because I want them to hear in their monitors the same mix that the house is hearing, so that they can more ...


uhmm why did I not know about this resource earlier ?? BWF MetaEdit for managing and batch editing metadata !FREE!, cross-platform .. have I died and gone to heaven ??!!

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