5
Warning: this is perhaps not the answer you are looking for :)
You have already got enough gear. What you really need is time, patience, perseverance.
Experiment with what you already have, whatever it is that you own, use your imagination and creativity. A typical style of music was not only 'invented' because of the sound or purpose of the gear; it was ...
5
If you are on a budget you might want to give the Blue Microphones Yeti a try. It has switchable pick up patterns on it one of with it polar which will pick up 360 degrees around the mic. It's USB so it should be able to interface with Skype with no problem at all.
4
The only thing that really stands out to me about your setup is the lack of FX. You can safely disregard any effects built in to your mixer. There are a ton of great rack units out there from the '90s that can be found for peanuts on eBay and your local version of Craigslist.
Start with Alesis - take a look at the Wedge, QuadraVerb, MidiVerb and Ineko/Akira....
3
I second Mike Rinehart's suggestion of the Blue Yeti. Although I haven't used one personally, it is one of the most popular budget mics on the market. Its switchable pickup pattern means you can set it to capture sound from all directions equally. Interestingly, it actually has three condenser capsules, which allows it to be used in a wide range of ...
3
You're not going to find anything worth using that you can buy for that budget. My suggestion would be to find a local shop that rents gear out and talk to them about what you'll be shooting and how. They'll be able to give you advice on what to use and how, and you'll likely get better equipment for the money you'll be spending. Granted, you won't own the ...
3
The first thing is, don't make it totally gone at any point. Listen to the audio of medical dramas like Grey's Anatomy; the sound never really leaves the soundtrack completely. Fade it down and up, but not completely out.
Second, use viewpoint changes in the camera editing to adjust the level of the sound; take the opportunities when the camera moves ...
3
Built-in laptop speakers are largely useless. A cheap headphone already has a much better chance at reproducing lower frequencies. Its stereo representation is rather different from that of a pair of loudspeakers, so the latter certainly worthwhile getting.
Previously high-end vintage headphones and active speakers tend to be sold for prices that are ...
2
I think I was reasonably lucky when I bought my Mackie HR624 speakers - I just trawled the net and these seemed to be recommended the most (for my budget back in 2009 of about £500 a pair).
Now I know what to look for because what follows was the first (and most important) lesson I learnt when I plugged them in: -
So, I plugged them in and went straight ...
2
Quality of recorded audio (in the digital realm) is measured by captured frequencies (sample rate) and dynamic accuracy (Bit Depth). Once recorded, changing those wont improve the signal, only increase the file size. If your noise floor is too loud when compared to your voice then you need to reduce the noise. There are expensive programs that do this quite ...
2
There's a database of elephant sounds at http://www.elephantvoices.org/ and you could try The Elephant Listening Project: http://www.birds.cornell.edu/BRP/elephant/
2
Two resources to try:
Ann Krober at Sound Mountain. She oversees a vast library of sounds that may or may not include playful elephants.
The Macaulay Library. From their site:
The Macaulay Library is the world's largest and oldest scientific
archive of biodiversity audio and video recordings. Our mission is to
collect and preserve recordings of each ...
2
Many manufacturers make microphones specifically for conferencing that have purpose-designed coverage patterns and low profiles.
An example is a Shure MX396, which can be obtained with several polar patterns, and speaking from experience, works quite well.
2
You should check out Sonic Visualiser. It's free, has image export built in and is generally designed for this sort of thing.
2
From what I can tell your sources sound just fine! You should definitely not record "hotter", i.e. with more gain. And the mixes are in general balanced - I'd be a little harder with compressors here and there.
You should not raise the volume on each track in Cubase either, as that will just lead to channel or bus clipping.
That "professional sound" you ...
2
No "standards" that I'm aware of, but what I've seen most often in film post-production is:
Production
Dialog
ADR
Group
FX
Design
BG
Foley
Music
2
Most USB devices use the standard USB audio device driver, as they all conform to the USB Audio standard. Behringer has a cohort of haters out there that spend all their time not making music and just bagging hardware vendors they don't like. Behringer actually make some pretty good and affordable gear. RME is also definitely worth a look - their devices are ...
1
All you need is:
Computer (PC or Mac is ok.)
Multi-channel recording and editing software (Audacity, Reaper, Cubase, Garageband, Logic...etc.)
External USB sound card with 48V phantom power
(Firewire is extinct. Don't buy anything with Firewire.)
(Be sure that it has 48V phantom power. There are fake marketing products with useless 15V phantom power.)
...
1
heres is the solution! thats what i wanted.
https://itunes.apple.com/us/app/sound-report-writer/id492004803?mt=8
1
I don't know if this is what you really looking for, but Sound Devices made app for I-phone
"CL WIFI" in witch you can make sound report, and manage your metadata. But like I said it's for Sound Devices
1
A microphone like a common clip-on "lavaliere" microphone is used by 10s of thousands of news people every day on television and nobody thinks of them as "distracting". My first preference would be for a nearly-invisible "headset" microphone with a very small, nearly transparent "wand" which ends near your mouth. That gives you the best pickup of your voice ...
1
The reason you can’t pair a Bluetooth microphone and speaker is that Bluetooth has latency. You would speak and the sound that comes out of the speaker would be 1–2 seconds later, like an echo. Bluetooth is a PC thing, not a pro audio thing. If you are playing music off an iPod through a Bluetooth speaker, the latency doesn’t matter. But in live performance, ...
1
I think what you are realising is that creating sound for film is an intricate process that should be considered from the early stages of the film production. And it's great that you are!
You can use library sounds for a lot of things but when your getting into more detail with the little sounds like keyboard typing and movement of elements it's best to ...
1
You could slice up one of the songs (Let's call that song 1 for now, and let's call the song you "Mix" into song 2). Set up a new project for your mashup. Or use the one in which you made the mashup. Then I recommend you set the BPM of the project to the BPM of song 2.
Now you can bring song 1 and 2 into your project. At this point you have to decide if you ...
1
A huge amount of information can be bought from here:
http://electronotes.netfirms.com
but you will need to have a fair knowledge of analogue devices and circuit theory. You'll probably also have to rework the circuits with up to date components.
1
You might be able to find some of what you seek here or here or if you really like Bose stuff here and one more to the list here.
All these links offer schematics which is all you need to start building as for comprehensive literature this may be a nice guide (but i have never read it so I don't know).
Just a word from an electrical engineer. Being a ...
1
Yes
Yes
I don't have a lot of experience with lots of different models, so maybe focusrite would be decent one to look at, and it's not too expensive.
Behringer bcf2000 would be the cheapest way (behringer will soon release new controllers that might be suitable for you, called x-touch..google)...thou be careful, behringer stuff is not the most robust ...
1
One of the most important thing with all the new loudness recommendations is fader/volume automation. Also while mixing, have a very light Master Buss Compressor on right from the Start!
Then I go like this:
Compress your dialogue if needed. If the dialogue is too Dynamic, its hard to Level anything correctly. I would use 3-9 dB on normal dialogue and 6-...
1
I think these guys have provided some great answers, but one answer I'm not seeing is to morph the sound. The idea being, the beeping monitor sound changes to something else over a period of time. Slowly morph the sound using filters, distortion, oscillators or other sound fx.
You could also morph the sound into another sound, and since a heartbeat is ...
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