3

I suggest going with the TV-style mix. In which, I usually take the 85 SPL theatric mix, boost it by 6dB, slight remixing where necessary, and have a brickwall at -3dB for good measure to ensure nothing clips (TV often brickwalls dialogue around -10dB, but since it's for web-based display, I allow myself up to about -3dB. Going about 6dB hotter than ...


3

By knowing people who work in said American companies (esp. in marketing). By interning/working in an audio (post) production house that does a lot of the productions that you're interested in. By knowing freelancers that do said productions and getting them to hand you some of their work (e.g. editing) and forming a partnership that way. By establishing ...


1

as a general advice, i found this post very useful: http://audiocookbook.org/guidelines-for-making-a-sound-design-demo-reel/ good luck!


1

I would go even further and compress/limit everything to -1.1 dB. I'm sure a lot of fellows won't agree but I'd rather have one showreel aimed at the web with these specs, and a separate one for the professionals which includes headroom and does not generate any loudness conflicts.


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