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This is simply the way that the brain processes sound information. It's exactly the same as listening to a violin in a dry anechoic environment and then listening to the violin in a concert hall. You still know it's a violin because the brain is able to separate the fundamental sound from the additional reflections in the room. It's the same with distortion ...


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one character that sprang to mind is Arby from the Channel Four series 'Utopia'. If you haven't watched it, it's definitely worth checking out and the theme music is awesome too. Anyway, this character Arby has been given a continuous, out of breath foley aspect, almost as if he's really unfit. I'm pretty sure the majority of this has been added in post. The ...


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Windowed FFT is indeed one of the usual approaches to find an approximation of a spectrum within every window - and there is a trade-off here, as wider windows mean worse time resolution, while more narrow windows mean worse frequency resolution. Wavelets try to sidestep this trade-off to an extent, as does constant-Q transform. But even after you find a ...


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Well, if you're applying for a non-audio job, then don't waffle about audio too much in your application. But do make sure to talk about how your previous line of work (sound design, audio?) equipped you with considerable creative- as well as technical skills. Talk about how you learn new equipment and software quickly, your ability to navigate in complex ...


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