I solved this by making keyboard it self is the only output device, Synthesia will use the synthesizer in the keyboard which is a hardware thus is faster. and u will hear the sounds on the Keyboard speakers.
No delay at all.
First, be aware that each input jack on the interfaces you are considering (and the vast majority of audio interfaces) is mono, not stereo. So you will need 4 input jacks just to plug in your two keyboards. Admittedly, it's not entirely helpful that in their marketing language companies will say "stereo line input" when what they really have is two ...
I agree with Jay (hi Jay!!), this should be fairly straightforward to do and like Mark says you might need a DAW which will help you load the Vocoder software and route your ins and outs.
Remember that for the vocoder to work you need two signals, a modulator (your voice) and a carrier (synth sound). You need to set the vocoder to receive your computer's ...
Correct - a separate amplifier is not needed to record keyboard.
Just about any decent quality 2 channel interface will do.
For example look at the Lexicon Alpha Studio (about $60) - on the front you have an instrument input suitable for guitar and bass, on the rear you have stereo (L and R) line in, ideal for keyboard. Moreover there is a mic input too (...
You could actually just 'guess' based on percentages/chance ;)
Line level is very, very rarely run over balanced line, so the safe bet is that it's not balanced.
For consumer-level equipment I'd reckon the percentage is going to be so close to 100 that you needn't worry.
In this particular instance, I can add to this 'percentage/skill & judgement' call ...
There are two simple approaches that I can think of:
Get a mic that doesn't pick up as much noise
Get a keyboard that doesn't make as much noise
The first one I don't know too much about, but something to look into is the pickup pattern. If you use a mic with a cardioid pickup pattern and can position it so the keyboard is to the rear of the mic, the mic ...
You will need to search for tutorials on "Audio Sampling", "Audio Pitch Manipulation", "Audio Editing" and "Video Editing". You will need to learn how to use a Digital Audio Workstation such as "Reaper" or "Pro-Tools".
If you are starting from scratch, it's a long road ahead of you, but rewarding as you make the journey.
A MIDI file only contains information on which notes you're playing. The sound attached to each note is not part of the file (which is why a MIDI file is much smaller than an audio file).
What you're looking for is a sound module or software synthesizer that can replicate the sound of your Yamaha keyboard.
One common format for this is a VST plugin - a ...
Both outputs are unbalanced. What the manual means is that if you insert a plug into only the L/L+R output, the result is a mono mix of the left and right channels ("L+R"). If you insert a plug into the R output, the unit disconnects the mix of of the right channel to the L/L+R output, and the two outputs are now "L" and "R"—...
Experiment with ADSR envelope setting.
Here are some excerpts from the manual that might help:
6.2.14 Velocity Switch
Velocity switching is an extremely useful and creative tool for customizing a
performance. Using Velocity Switching, it is possible to have either one sound
switch to another sound at a set velocity, or even for a second ...
As the recording sounds perfectly "within acceptable parameters" on my studio monitors, maybe either your piano sound in the room is 'too fat' & you have just got used to how it sounds... or your computer speakers sound 'too thin'.
This is intentionally vague, because we can't actually hear either source in the same way you do.
If you are using a ...
The Impact outputs MIDI...LMMS uses MIDI.
MIDI is a pretty good standard, and any controller presented to the interface can be assigned in LMMS.
The documentation on https://lmms.io/wiki/index.php?title=Using_MIDI is very useful and explanatory.
It is unclear from the question whether the keyboard has a mono or stereo output so it's hard to say if you would need one or two of these. They do have 2 inputs but it will just mix them together. For true stereo you would need two and you would need them placed so that they form an equilateral triangle with the listener (you).
It is also unclear whether ...
The "USB TO DEVICE" connector is not useful for real-time MIDI.
Both keyboards have a "USB TO HOST" connector, which can be connected only to a PC.
So if you want to link them, you have to do this with software on the PC. (This typically requires a "virtual MIDI" driver.)
Just get a Noise Gate Software (Info : Noise Gate) and set the threshold to where the keyboard is not picked up, also try to take away the microphone from the table the keyboard is on to cause less handling noise (if you haven't done that already).
Last, try to be consistent to how you type and talk, if you start typing very loudly the noise gate will open ...
An interface will not change anything.
What are you using this mic for? Recording music, podcasts, or gaming? Do you need the most perfect vocal quality?
The reason you hear your keyboard is because your mic is a condenser mic. This type of mic is highly sensitive and used exclusively for recording. Mine will pick up birds chirping outside my apartment.
I think you need to provide more info before someone can really answer this completely. What kind of keyboards do you have, and, especially, what kind of output/inputs do they have? But I don't believe your description of what you want to do is possible on either of those interfaces. The 2i4 only has 2 mono inputs (these are both XLR and line-in, so you can ...
It sounds like you have "Input Quantize" turned on. In the track inspector, there is a area labeled "Input Quantize", with a drop-down list and an on-off button. Make sure the button is turned off.
You might be able to press [Ctrl+Z] after recording and it should remove the quantization.
When i instal addictive key it ask me for "stand alone" "32bit"
"64bit" ? So i installed addictive key 64bit and stand alone
Possibly, the stand-alone version is disabled from being a VST (non stand alone)? Try installing as non-stand-alone and seeing what happens. I know it's a pain to do that but at least you'll find out.
IMO, if the keyboard player fulfills a bassist role, then it is a good idea to use a bass amp! This way, at least on smaller stages you're sure that the bass will be properly present everywhere on stage. With wedge monitors alone, you rely on the mixer to properly distribute to everybody individually. That's not really a standard scenario; you may well end ...
I would probably go for a combined setup:
Get a reamping box (reverse DI) to ensure correct levels and impedance. You can hook up the interface with the box using XLR and continue on to the bass amplifier using standard jack cable. You can test both the Hi and Low input, but using the reamp box, the Low (impedance) input is probably the one to go for.
You'll want to run a 1/4" (jack) cable out of your keyboards audio (main) out and plug it into your audio interface. Then in FL Studio you'll have to open the mixer and select an empty channel. On the top right of the mixer above the effect slots you can select an audio input. Select your audio interface from the dropdown and you should get the ...
To "mute" a track when there's audio coming out of some other track, you can use sidechain compression. Here's how to do it:
Insert a Compressor on the "LIVE KEYS BACKUP" track
Select the "LIVE KEYS" track as the sidechain input
Set Ratio to the maximum
Set Threshold to the minimum
If you now have a clip playing on the "LIVE KEYS BACKUP" track and you ...
If you can dig up the service manual, there is a minute chance that they cover some of the technical aspects there.
If you have an iOS device with the app, you can document the consumer related functionality yourself: Capture the network traffic between the two devices as you go through the different app features.
You may use a sniffing tool such as ...
The FC3 is only compatible with keyboards with half dampering
capability. We recommend the FC4 piano style pedal instead.
NOTE: The FC3 is only compatible with: S90ES/XS, MOTIFXS/XF,
P120,140,155,P250, P60, P70, P85/P95,NP30, All CP series digital
- Yamaha FAQ
From what I understand, the FC3 features "continuous sustain". This ...
I'll stick my neck out & say it's a Fender Rhodes - though half the time I'm wrong & it's a Wurlitzer ;-)
Both were 'real' instruments, electric pianos which generated sound by using a piano keyboard & mechanical levers & hammers similar to a real piano, but instead of strings, had metal bars or tines which were struck by the hammers.