8

Click in the Step Sequencer (Channel Rack) channel with ALT pressed. That will open the new window without hiding the previous one. Cheers.


5

You can drag another instrument from the hierarchy right on to the track You can right-click on the track eg. [Channel #1], and there is an option to replace the channel You can create a new channel with the synth you want and copy the piano-roll --- unless you are just wanting to change it to a new instrument in the midi-player... in that case, examine the ...


3

Generating a realistic wind noise is a tad hard, but this might work: Don't use a generator, use a recording of white noise (or pink noise, if available) Apply Fruity Fast LP (around %30 Cutoff and some resonance) then some EQ gain to qqmid-lows Adding some reverb with big room size will sweeten it Add pitch, cutoff and volume automation to make it sound ...


3

Basicaly, You can go three ways from here. Samples, soundfonts and plugins. Samples are prerecorded sound files (*.wav most commonly) You can use in your productions. 90% of drums in electronic music is sampled for example. But not only drums. There are whole genres that are very sample influenced, such as hip-hop in general, early drum and bass, jungle or ...


3

Go to Options -> General, there you need to disable "Auto select linked modules" option.


3

The most "proper" solution is to use a bass sound that in itself has some midrange as well. For normal subtractive synth sounds, that means: don't use too steep LP filters, try a simple 12 dB/8ve or perhaps 18 instead of 24 dB/8ve. There's a trick that works pretty well on almost any bass, to introduce some "non-sub" harmonics: apply gentle overdrive/...


3

Essentially, it is very simple. I don't have FL Studio but I can point out a few things about the timbre, after analyzing a clean sample: Since both even and odd harmonics of the wave are present and well distributed, start with a Saw wave. Most of my answer is based on the G#4 note (octave). Basically there are two octaves in the song that the sound plays ...


2

Sub bass will be entirely lost through in-ear phones. You can't get around this, as it's basic physics. The only real solution is to have bigger speakers. So the way round it is to add in some mid bass - which will be audible, and if arranged correctly can give the impression of lower bass.


2

Is the compression applied correctly? It sounds like you are applying compression to the overall signal rather than just the guitar. In that case, if the secondary instrument gets louder, it could trigger the compression of the entire signal resulting in a reduction in the signal level of everything else going in to the compressor that was at static level. ...


2

If it is just an tempo increase you want, then assign automation to the bpm knob and then use the graph to change the knob value over time... but the second part of your question about the note lengths sounds like you are talking about quantization: Google search for quantization fl studio


2

Warning: Brutal honesty ahead... If you 'never end up doing anything', how do you think other people can help you? For starters, just start making stuff. It doesn't matter what. I started out with just clicking stuff and responding to the way it sounded. That was 20 years ago.. I still do that. Define (for yourself) what is 'interesting'. Try to make it ...


2

Sounds like a guitar sample with some filter. You can try to take a acoustic guitar vst or sample and combine it with a low pass filter. DSK AkoustiK GuitarZ should be pretty nice for that :)


2

I definitely don't think Unison is going on here, simply because the notes aren't playing at all. What's happening is that the notes are conflicting with each other. You're playing one note at the same time, same octave, AND at the same instance of both notes. FL doesn't really know how to handle it so my guess is that it plays the last note you put into ...


2

These things are usually due to a process with higher priority kicking the sound recording process off the CPU for long enough to drop a buffer. On Windows, I have heard this usually being the result of the wireless driver, which for some insane reason has a very high priority. You basically need to ensure your soundcard is running at the highest possible ...


2

If I understand correcly, you have a sample with an instrument sound, that you want to resample to a different (lower) pitch, while maintaining the playback speed and overall duration of the sample. The operation you need is a frequency shift and you can find it (under that name or some variation of it) in most digital audio workstations or audio editing ...


2

I managed to solve it! There seems to be very little information available online on how to do this, which is odd because I'd expect it's quite common amongst YouTubers. Here is exactly what I did. Download and Install FL Studio, ensuring ASIO4ALL is installed as part of the installation as usual. Download and install Voicemeeter Banana - http://vb-audio....


2

There does not seem to be a shortcut to jump from a pattern on the playlist to its corresponding mixer channel. I assume this is because it is possible to combine multiple channel rack instruments within a single pattern. I recommend keeping instrument, pattern and mixer insert names consistent so you can visually scan for them. Additionally, you could ...


1

Songwriting in general is a craft, it takes years to perfect. The good thing is you're trying, everyone has to start somewhere. You can't think too logically about writing melodies, I think it comes spontaneously and inspirationally from playing an instrument. The best times seem to be when you're noodling around and something just pops out, you think to ...


1

I have unusual advice for you. The magic is in the bath room!! 60% of my music starts from when I am taking shower and I have to rush out to put down those melodies in MIDI. The other 40% I came up with melodies in front of the DAW but soon struck with chorus or something, then again I can fill that up just by taking a bath. I found piano and violin the ...


1

If you have no experience in sound design, I'd suggest buying a pre-made sample library. That way, you will have access to a library of sound effects for any future projects. You may be able to buy individual samples if you don't want to buy a whole library. You could search online for free samples, and I'm sure you would find something you like, but you ...


1

Explanation You'll want to run a 1/4" (jack) cable out of your keyboards audio (main) out and plug it into your audio interface. Then in FL Studio you'll have to open the mixer and select an empty channel. On the top right of the mixer above the effect slots you can select an audio input. Select your audio interface from the dropdown and you should get the ...


1

If you're using FL12, you can right click on the upward facing arrow on what channel you want to send it to, at the bottom of each mixer strip, and choose "Route to this track only" or "Sidechain to this track only". https://gyazo.com/c0e86bc9654fbb37742349429560a5d6


1

Ok If they are both the same note AND the same synth AND the same patch that means they are going to be played in UNISON. Imagine playing a piano and then playing the same note on a completely identical piano at the same time. It wont double up, it will be the same sound in the wave. You have to adjust the velocity in piano roll or load another instrument ...


1

What you're looking for is called a "program change", which is essentially a MIDI signal that tells the destination to switch instruments. In FL Studio a program change will switch through channels in the Step Sequencer, which is what you're looking to do. Not all MIDI controllers can send program changes, but luckily the Novation Impulse can. (Bottom of ...


1

Thanks to Tetsujin for formula The basic formula is (Bar X Beats per Bar X Tick Resolution) + (Beats X Tick Resolution) + Remaining FL Ticks = Ticks


1

Try switching between all your audio soundcards in FL Studio's audio settings. Typically the built-in/primary sound driver should support the mic


1

As rory said, there is no proper way around this as the physics prevents it. You can however make it audible by low mids. either layer it up, or as as leftaroundabout said, introduce harmonics (which in turn would be better if layered, as you can choose what frequencies you'd want to mess with).


1

If you only have a single sample, you're only going to see the same problem with the time change repeated in other samplers. Even with some clever warping in PT or Ableton Live, there is still only so far you can stretch the sample before it becomes unusable (especially when you're pitching it up, but retaining the speed). The ideal solution is to get more ...


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