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4

Here is my choice: http://www.amazon.com/Dialogue-Editing-Motion-Pictures-Invisible/dp/0240809181/ref=sr_1_1?ie=UTF8&qid=1361733846&sr=8-1&keywords=dialogue+editing+for+motion+pictures http://www.amazon.com/Practical-Art-Motion-Picture-Sound/dp/0240812409/ref=sr_1_1?s=books&ie=UTF8&qid=1361733899&sr=1-1&keywords=practical+art+of+...


4

Heh. Welcome to the rest of your career. :) I fall more into the "client is always right" camp. I think it's my job to speak up when I disagree and educate the clients just as you have done but at the end of the day, they're the ones who have sweat blood over this film for months, if not years on end, and the director always always gets the last word. "...


4

Talking to schizophrenics for advice how it sounds won't necessarily do you much good as we're not talking something like an LSD-trip or such here, we're talking a state that appears totally natural to the senses of the one suffering it, and this differs from person to person, as well as there are rarely dronings or similar sounds present. With rarely I mean ...


3

NOTE: this response was to the original iteration of the question. To be perfectly honest, this question rubs me the wrong way - a first actually. What rubs me the wrong way, and this is merely an observation of principal and NOT a judgement of personality/character... is that I sense a lack of gratitude, a lack of appreciation for what has been had and ...


3

If it's for dialogue I'd try and buy a secondhand MKH416. If you had to buy new right away then a K6/ME66. I honestly don't think anything below these is worth owning as they all lack sensitivity and are too noisy. If this wasn't an option I'd hire instead.


3

The first thing is, don't make it totally gone at any point. Listen to the audio of medical dramas like Grey's Anatomy; the sound never really leaves the soundtrack completely. Fade it down and up, but not completely out. Second, use viewpoint changes in the camera editing to adjust the level of the sound; take the opportunities when the camera moves ...


3

You can also look at the David Sonnenschein book Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. The first 25 pages gives you a really good idea of what to look for and how to listen to your script and make notes. Within the first 25 pages, Sonnenschien recommends that you take the script, whatever the version and read ...


3

You're not going to find anything worth using that you can buy for that budget. My suggestion would be to find a local shop that rents gear out and talk to them about what you'll be shooting and how. They'll be able to give you advice on what to use and how, and you'll likely get better equipment for the money you'll be spending. Granted, you won't own the ...


3

Highly relevant, you will enjoy digesting the many examples in here: http://tvtropes.org/pmwiki/pmwiki.php/Main/ShellShockSilence Mass Effect games also have this effect when you're "low health", a low-pass filter blurs the music until you recover:


2

Wild Strawberries The Seventh Seal Cries and Whispers by Ingmar Bergman are the best ones to study the excellent use of silence in a film. Besides these a few of my personal favourites include Peeping Tom, The Conversation, Once Upon A Time In The West and OFCOURSE Apocalypse Now! A lotta films are going through my head right now, these are a few.


2

its unusual to ask for points. I'd take the money, hope the show does well, and move on to the next gig.


2

I recently saw the film Killing Them Softly. Though the film didn't do great commercially, there are a few nicely done sound design-y moments. Eg. the scene where 2 people are beating the Ray Liotta character. Here are a few things the sound editor has said about how they did the sound for that scene. And it is really effective. The punches sound brutal and ...


2

I agree with Internet Human's approach, I think physical baffling is the way to go. I have found success in the past by actually using the floor of my previous house. I needed to record footsteps (and a fight) from above, so I set up 4 mics in the basement facing upwards about a foot below the ceiling, and then I had fun running around upstairs, slamming my ...


2

How does it sound? Is there no reason how it could actually be "too quiet"? If everything is audible and the play with dynamics sounds good and is reasonable, then I don't see a problem. How about asking them to specify, what exactly is too quiet. Everything or specific parts? I find that that's the only way to understand what they're really hearing. It ...


2

Ingmar Bergman is probably one of the best one's who intensively used silence in hie films.


2

I really like Kyoshi Kurosawa's work. His style is very spartan and almost lo fi, sonically. Two films to check out are Pulse and Cure (Tokyo Sonata is another). Dead silence is used at certain points in these films, and the effect it has in each case is interesting. His films can be difficult to watch if you're not in the right mood, but his style is ...


2

Go to a party. Make sure they don't play any music whether diagetic or non. Record it from a similar perspective to the camera. Put it in your track.


2

Hard work, talent and a good attitude ... Your reputation well precede you. If you are good people will find out.


2

Sounds like a great idea. Is this work undergrad or postgrad? Sadly I've not seen any of the films you are suggesting (I really need to catch up on viewing). However, one thing that jumps out at me is these films are all dramas. Is this what you are going for i.e. is the title of you dissertation going to be "Layers of diagetic sound showing Temporal ...


2

one character that sprang to mind is Arby from the Channel Four series 'Utopia'. If you haven't watched it, it's definitely worth checking out and the theme music is awesome too. Anyway, this character Arby has been given a continuous, out of breath foley aspect, almost as if he's really unfit. I'm pretty sure the majority of this has been added in post. The ...


2

You should watch Eraser Head, by David Lynch. It may not be specifically depicting his mental illness but it certainly sets a mood of mental weirdness between the characters and that strange baby creature. Most of it, comes from the eerie sound design in the ambience.


2

Sound Mixer or Sound Recordist


2

Do you memorize the dialogue and aim the microphone back and forth between the two people when their lines come up? yes This allow you to anticipate one's sentences ending and be on place for beginning of next character's sentence. Notice that it's important that your microphone is aimed at the person speaking. Which means your microphone can be between ...


2

When both persons speaking are visible I memorize the lines while the actors practice (having a script at hand might be helpful) and pan the mic between both. If the scene is split into shot/ reverse shot, I also try to get both but my priority lies on the person on-screen. Especialy when the boom operator isn't experienced, too much panning might overburden ...


2

To my ears, it does indeed sound as if there is too much build-up in the lower mids. I wouldn't say "muddy", but rather more boomy, boxy, or honky - those are three words I would use to describe it. Cutting these will clean it up for you, but as you said, this was definitely miked too close. Two more things to keep in mind for dlog editing: 1) You will ...


2

If it's just dialog that you are recording then rent a couple lav mics if you can then make sure the audio coming off them is nice and usable. The problem with a hypercardioid mic in a reflective room like that is there are always going to be significant secondary reflections off of those hard surfaces. Because a lav is so close to the source those ...


2

The harshness of the compression is similar to API's boxes. It might be one, although I never can remember the number of model. The cool "damaged" sound are most certainly an artifact from (very likely Cedar) noise-reduction, EQ, and probably a mild distorsion to make it pop in the trailer. It's pretty safe to say it will sound different in the final film. ...


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