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6

Jay, Jay, Jay ... Remember when we were all "sound editors" and proud of it? Remember when that meant knowing how to cut sound FX, cut dialogue, cue and cut foley, cue and cut ADR, conform pre-dubs & stems? It meant knowing how to do it all. I now know fx editors/designers who have never cut dialogue (and don't know how), dialogue editors who can't do ...


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To which I reply, "Well yes, I was responsible for all of the sound of the films that I've worked on and have done the dialog edit on every film I have a sound supervisor credit on." There are a number of times though that I haven't heard anything back when I send in a resume Herein lies the problem, as I see it. The one major part you omitted, in my ...


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Am I entitled to credit or compensation? If you have copyright for these particular sounds, then using the sounds without your permission is technically a copyright infringement. However, whether you want to go court is another topic, more likely the infringement that bothers you can be solved simply by negotiating. If you've signed a contract where you've ...


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Hi Rreider, I don't work in LA or the US for that matter. My experience (Europe) is slightly the same. Credits are sometimes a thing to take care of yourself, especially on IMDB. Most of what I've done is on the list, but with some films I'm not on the credit list, although I made a substantial contribution. Mostly I add my work to IMDB when the production ...


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I would say I am a sound mixer. I have been mixing television shows for the last 8 years for a fairly large production company. While I do add my own elements into each show, the majority of it is put together by the offline editor. Then it comes to me. I clean up the narration, dialogue, add nats or sfx, mix the music to correct levels, and most importantly ...


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