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Not to sound like a an old nag, but I'm not really sure its that productive (or perhaps fair) to single out particular instances of 'bad' ADR in film or TV. There are possibly many reasons why something doesn't sound like you expect it should (director/producer making the call, time/budget constraints etc etc) and I expect the person doing the mixing or ...


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Bad ADR: The Constant Gardener - during the 'advice' scene near the end when Ralph has a revealing conversation in the car at night. The driver is ADR'd over an OTS shot. Gangs of New York - after Leonardo wakes up in his bed of naked chicks (1/2 way through the film). Our butcher says a line with 'ignominious' during a reaction shot. The Bourne Identity - ...


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