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3
votes
1answer
62 views

Mouth and nose noises on M&E´s: helps or harms?

I would really like to have some perspective of when one receives the M&E´s and is preparing the version for that language / country. I understand and read here that a lot has to do with the ...
2
votes
1answer
81 views

Keeping or altering walla in M&E´s

I would really like to have some perspective of when one receives the M&E´s and is preparing the version for that language / country. I understand and read here that a lot has to do with the ...
1
vote
1answer
82 views

Reverb bus workflow for features (and bouncing DX+M&E)

I've read in forums that people have reverb busses (around 3-5) to send dx-fx-mx to. Is this per food group (3 for DX, 3 for FX, etc..) or for everything since you want the DX and FX to be in the same ...
3
votes
3answers
119 views

International mixes

I've finished a mix for a feature film and now they want an M+E and a Dialogue stem, i guess for dubbing? It wasn't in the original deal for me to supply them with this but what I've supplied they ...
1
vote
2answers
217 views

English spoken in M&E BGs

How do you handle discernible English walla in crowd BGs (library or otherwise) in an M&E for dramatic television? I've heard some take the momentarily understandable bits and just reverse it, ...
5
votes
3answers
2k views

prepping tracks for international release (M&E)

I have a general question but I think it's easiest if I ask it in the context of an example. So say you have a scene where someone is talking and opening a bag of chips at the same time. The ...