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Loudness management has been a feature of film/tv for a few years now, but streaming platforms are now influencing mixing and mastering practise in the context of loudness normalisation.

What are good practises for achieving loudness normalisation in music mixing?

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OK, so not a really comprehensive question from me, but really I posted this question simply so that I could forward this link into the stack, which I believe is useful to update people on more up-to-date practises for loudness normalisation and mixing for streaming and content delivery across multiple platforms.

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    I enjoyed that clip, some food for thought indeed. Thanks for posting. – Edwin van Mierlo Feb 11 at 9:11

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