I mix a short film for the cinema. I have buses for DX, Foley, SFX, Ambience, MX. On Foley and SFX, I plan to add a gentle compression and transient shaper.
On the master, I only have a true peak limiter at -5db.
What do you guys add to your buses Foley, SFX, Ambience? Maybe you need to do something brighter or add on the AMB Bus transient shaper?
How to get a nice, tight and crisp sound for cinema?