I'm currently breaking down a documentary that uses quite a bit of b-roll and mono nat sound over interviews. I am curious how folks organize this kind of audio in your session. Do you stick it under dialog? With BG tracks (that will inevitably be intermixed with sound design)? As separate nat tracks? How about when there is sync dialog or action in the nat sound , but an interview is superseding it?
This particular project is in multiple languages, so I am trying to look ahead to a slew of deliverables and create a session that will be most useful for printing stems ready for dubbing, etc. Trying to figure out where this kind of stuff should land in my DME
Any thoughts would be greatly appreciated. Cheers, Jesse