Besides that pro audio equipment is bigger and louder, requires cooling fans, is more rugged, might have different connections, etc.

What's are the practical difference between consumer audio and pro audio music systems? For example, (with suitable connectors and wiring) can an electric guitar be plugged into a Hi-Fi power-amplifier, maybe via a mixing desk, or an iPod into a guitar practice amp?

2 Answers 2


The major difference between "pro" and "consumer" equipment is generally their suitability for their purpose. A home theater setup needs to sound pleasing to the ear without much manual work, only fill up one room with sound, and play from generally a single source. It also (usually) needs to be affordable enough that people will by them. A huge live-sound rig, however, might have to fill up an arena without distorting, mix together lots of sound sources with varying properties, and be adjustable by a human operator to fit the situation. They generally cost more since they're more like business investments for work purposes than consumer purchases for entertainment

However, I think the core of your question is really whether consumer and pro equipment are compatible. As in, could you use them together. At a basic level, they are - both of them generally deal with analog audio signals running over cables, however there are a variety of standards for voltage that are important to understand. In general getting this right is called impedance matching. You don't want to send a quiet signal into something expecting a semi-loud one, and you definitely don't want to send a too-loud signal into a system expecting something quieter. At best the signal will clip, and at worst it could damage the hardware.

Some examples:

Electric guitar into hi-fi stereo

An electric guitar signal is very faint ("instrument level"), much quieter than what a hi-fi system would be expecting ("line level", if I remember right), and so it's reasonable to assume that it wouldn't sound very good, if you could hear it at all. However, you could use a guitar amplifier with a line-level output jack, and that would probably work very well so long as you don't turn it up too loud and distort the signal through clipping.

In the case of an electric guitar, it's also worth noting that the amplifier is a very large part of the sound, and skipping the amp generally makes a guitar sound thin and undesirable.

iPod into a guitar amp

In general, there are two problems with doing this: the iPod is outputting a headphone-level signal, and might be too loud for the amp, causing distortion and possibly damage if your amp isn't rated to deal with those levels. Secondly, most guitar amps don't just make things louder, they also change the sound significantly, usually with creative use of distortion.

Many guitar amps, particularly combo-style practice amps, have separate line-level inputs which will accept an iPod or CD player just fine, as they are generally amplified separately from the guitar to avoid distortion.


So yes, these sorts of things can be combined, but you have to make sure the signals are appropriate. There's more to it than just cabling.

  • 1
    @RobKamI agree with Warrior Bob that the question should probably be if they are compatible. The difference otherwise would be component level and durability (pro has higher quality components and is constructed to operate in harsher environments for longer periods than consumer equipment).
    – Ken Fyrstenberg
    Commented Nov 6, 2012 at 0:35
  • You definitely shouldn't be able to damage any guitar amp with a line-level source, it only won't sound very pleasing. Actually, line-level has similar voltages as electric guitars do (in particular active models), only the impedance is much lower. But that's mostly an issue when going from high- to low: a passive guitar "breaks down" when connected to a line input.
    – leftaroundabout
    Commented Nov 6, 2012 at 1:29
  • @leftaroundabout I kind of glossed over this but as I understand it, the real problem is the speaker cones, rather than the amplifier hardware. Supposedly (haven't run into this myself yet) it's possible to tear some cones by running a hot signal with a lot of bass through the amp. If you have a line-in jack on the amp, you can assume the speakers are designed to handle it. I don't have a good reference for this though.
    – Warrior Bob
    Commented Nov 6, 2012 at 15:57

Consumer audio usually works at a peak level of -10dB with unbalanced connections, pro audio works at a peak level of +4dB with balanced connections. The latter is much less susceptible to interference, but it's somewhat unusual to have long connections in home audio settings (and almost inavoidable for pro audio).

An electric guitar can only be plugged into special high-impedance inputs even on pro-audio devices, possibly by using a DI box. Pro audio boxes tend to be comparatively robust against overload and with comparatively efficient loudspeakers. They can be divided between PA systems optimized for large power output, possibly in unwalled environments, musician monitors giving a directed feedback on stage, and studio monitors which are quite precise and neutral and used for mixing.

Home audio does not really differentiate significantly in this regard. Pro audio equipment (apart from large studio mixers for fixed installation) tends to be robust against transportation and frequent installation and deinstallation. It includes organizing tools like stageboxes that don't make a lot of sense for home audio installations.

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