A show that I'll be starting on soon is cutting picture with a 48 timecode base because the action sequences were all shot at 48 or 96 FPS, with the intention of projecting the finished project at 48 FPS, like the first Hobbit film.
Has anyone had to deal with a 48 FPS workflow in Pro Tools yet? I'm worried about conforms that involve odd-numbered frame changes that won't translate to a 23.98 TC environment in Pro Tools for one thing.
Thanks, Paul