Timeline for Lapel Mics and suits and ties
Current License: CC BY-SA 2.5
5 events
| when toggle format | what | by | license | comment | |
|---|---|---|---|---|---|
| Nov 3, 2010 at 15:28 | comment | added | Joe Griffin | In my experience with corporates the directors and producers aren't into being fussy with sound on the set (though they'll take 3 hours to light a medium closeup just so)...but sure start to care about it when you have to mix it with noisy/bad dialog tracks they didn't let you fix while shooting! ;-) | |
| Nov 3, 2010 at 14:36 | comment | added | Roger Middenway | Haha, nice work. In my experience, directors and producers aren't usually too fussy with sound in corporates. | |
| Nov 3, 2010 at 8:59 | vote | accept | Andre Feldmann | ||
| Nov 3, 2010 at 6:25 | comment | added | Andre Feldmann | Yup, I liked the sound of the boom most (no rubbing and the perspective sound is always favorable to me). Well, the director and producer were happy with the sound, they have me booked already for their next shoot, so I guess all is well! :) | |
| Nov 2, 2010 at 18:12 | history | answered | Roger Middenway | CC BY-SA 2.5 |