I'm warming up to Ableton Live by attempting to manipulate songs into how various animals would hear them. For example, idealized bats hear roughly between octave 7, starting at 1.28kHz, to octave ...
How are your sessions built so that when the client receives final stems, the comped level doesn't exceed a given threshold? The way I set up my sessions is audio tracks feed aux inputs (D, M & E ...
Most field mixers and portable recorders have basic limiters at least for the stereo output. Stereo linked, no threshold or release, just switch it on or off. When recording vocals I prefer recording ...
I just mixed a commercial for TV and saw it air against other commercials and is it just me or is all TV audio smashed to hell with an L2? I mean, come on... My mix was smooth and had dynamic range ...