Quick question about anyone who has been around dialogue mixing on a stage for a feature:
I'm looking at purchasing a hardware CEDAR system for a new studio being built.
It only has 2 channels of processing.
On a stage, how are CEDAR systems used in terms of workflow?
Does the dialogue mixer re-record the dialogue via the CEDAR onto another track and then do the next voice the same way? (this is the way I currently work)
Or is it usually used as an overall bus on every voice and left on the whole time much like an outboard compressor or signal chain?
Thanks for your help.