As a sound designer I'm pretty precious about my work and in previous projects have also undertaken the score as well but with my latest project am working remotely with another part of the team responsible for the score. I usually make alot of tension drones as part of the design as well as additional FX, unusual foley etc etc.
I really want the best for the film but feel its going to be a waste of my time continuing writing atmospheres if the scorist is going to take that role upon himself... (most of the atmospheres are drones being inbetween where I feel the score will be and sit in the LFE nb/score hasnt been composed yet)
Where is the line between score and design? Its an interesting line and a very blurry one.
Has anyone else any thoughts on this?