Hello fellow Sound Designers and Recordists,
I'd like to throw this out there and ask:
Do you ever use the Blumlein Stereo technique while recording in the field?
I like the sound of it on Choir for music, but has anyone applied this technique to anything in terms of SFX for a film?
I suppose a small room or tight space like a submarine would sound great with this technique. Or maybe an elevator. I used it on a loop group for a film not too long ago for a party ambience where the director wanted the listener "Inside" the crowd and this had great results.
What's your favorite stereo recording technique? Or do you use all kinds depending on the situation?